Performance. Having just reviewed the Nikkor Z 24-70mm f/2.8 S lens, we now turn to look at the compact Nikkor Z 14-30mm f/4 S, an interesting ultra-wide to near-standard zoom which could be an

This 17-28mm Nikkor is f/2.8 at all zoom positions, with the minimum aperture being f/22 throughout, as well. A 9-blade diaphragm is used for apertures. Note that the zoom ratio is a modest 1.6x. Most of the f/2.8 zooms have a 2x to 3x range. Some will feel the focal range a little “tight.”.

Tamron 150-500mm f/5-6.7: Nikon’s Z 100-400mm f/4.5-5.6 is a great lens. Unfortunately, it’s also a very expensive lens at $2700. The Tamron 150-500mm f/5-6.7 costs $1400 by comparison and frequently goes on sale for less. Nikon definitely needs a budget optic at some point that goes beyond 200-300mm.
The Nikon Z 28mm F2.8 is a wide-angle prime lens for Nikon FX full-frame sensor mirrorless cameras with a fast maximum aperture of f/2.8. It's also a wide normal-length prime lens when used on Nikon DX APS-C sensor mirrorless cameras, where it provides a 42mm equivalent focal length. The 28mm F2.8 for Nikon was first announced in November 2021

Nikon Z7, Nikkor Z 14-24mm f/2.8 S @ 16mm, 1/250sec at f/8, ISO 64. By the time f/5.6 and f/8 is reached it becomes harder to tell a difference in sharpness between the centre and the edge. Zooming in a little to around 16mm and 18mm sees the lens return sharper results at the edge of the frame than at 14mm.

Verdict. Available in black or silver, the Viltrox AF 23mm F1.4 Z looks right at home on the Nikon Z fc, not least because it has an aperture ring that complements the camera’s hands-on approach to control dials and buttons. It’s one of a trio of f/1.4 lenses, the 23mm, 33mm and 56mm giving effective focal lengths of about 35mm, 50mm and

The Nikon Z 14-30mm f/4 S is not the fastest lens, sure, but it's lightweight, small, gives super image quality, and is just the thing that may tempt new mirrorless users over to Nikon's side. The Nikon Z lens roadmap for the Z6 and Z7 has just got interesting. Read more: Nikon Nikkor Z 24-70mm f/4 S review Nikon Nikkor Z 35mm f/1.8 S review

NIKON Z 6 + NIKKOR Z 24-70mm f/4 S @ 70mm, ISO 2000, 1/320, f/4.0 The extra lenses that made the cut to “highly recommended” this time are the 14-30mm f/4 S and 24-70mm f/4 S. These two lenses aren’t quite as sharp as the others, but the 24 megapixel sensor helps equalize things enough to make the differences harder to spot. That’s the question to answer for the Nikon Z 17-28mm f2.8. The lens (which isn’t part of the high-end S series) is just as bright but a little less wide than the 14-24mm f2.8 S. But, the 17 3. In my experience, the Sigma is the best ultra wide zoom for F mount, far better than the Nikon F-mount 14-24. The Z-mount 14-24 2.8 is easily on par with the Sigma, maybe even better, but much smaller, native mount, and more easily takes filters, only its a lot more money Given its compact size and ultra-wide focal length, the Nikon Nikkor Z 14-30mm F4 S achieves a good balance in optical quality, with high and consistent sharpness across the image field except when wide-open at F4. When fitted to the high- resolution 45.7MP Nikon Z 7 body, it scores 24 Overall in our image quality rankings, putting the lens The slightly larger than normal LEE100 Nikkor Z 14-24 f2.8 S filter holder kit has been specifically designed for Nikon ’s latest and fastest super wide-angle Z-mount mirrorless lens, the Nikon Z 14-24mm f/2.8 S. The holder itself is beautifully designed and manufactured from high-grade aluminum metal. A newly-modified compression ring
A square filter holder designed exclusively for the NIKKOR Z 14-24mm f / 2.8 S. Up to two 100mm system square filters can be installed. The holder frame can be rotated 360 degrees, the filter position can be freely determined according to the composition, and eclipse does not occur.
Can be $100 cheaper if bought as a kit with a camera. See our 24-50mm f/4-6.3 review for more. 24-70mm f/2.8 S: Nikon’s highest-end midrange zoom. In many ways, it continues what the Nikon Z 14-24mm f/2.8 S started: excellent performance with a constant f/2.8 aperture to capture a lot of light.
Nikon makes a claim that the center of balance moves only 0.15" (3.8mm) as the lens is zooms and focused. They also claim that the lens won't zoom creep when held up or straight down. Maximum aperture is f/4.5 at 100mm, f/5.6 at 400mm. Minimum aperture is f/32 at 100mm, f/40 at 400mm. The aperture diaphragm is 9 blades. Versus Nikon Z 14-24/2.8. Nikon Z 14-24mm f/2.8. The Nikon Z 14-24mm f/2.8 is much heavier and more than twice as expensive. It can't use filters unless you use the big included hood and whopping 112mm filters.

The first one is the adjustable focal length of the 14-24mm lens. The second is the maximum aperture of f/1.8 for the 20mm lens. The 20mm lens is going to bring in more light at a 20mm focal length than the Nikon Z 14-24mm will. However, the 14-24mm will allow the user a range of focal lengths to choose from.

So, a couple of Samyang/Rokinon lenses, say 14 and 24 mm costing $700 each is more than the price of a single 14-30 f4 Z lens. If you don't need f/2.8, just get the Z lens. Reply Reply with quote Reply to thread Complain The Z 24-70mm f/4 S, for example, may look meager by comparison – but pair it with the Nikon Z 14-30mm f/4 S and Tamron 70-300mm f/4.5-6.3, and you’ll have a lightweight, versatile kit that doesn’t skip any important focal lengths. 1uAPRJc.